首屆「ART TAIWAN|SKM PHOTO 攝影藝術博覽會」將展出來自澳大利亞海浪生態攝影師-飛利浦.瑟斯頓Philip Thurston等8位國際攝影師與台灣各世代攝影藝術家,如:郭英聲、高志尊、邱國峻、黃文勇、洪世聰、鄧博仁等,共有超過50位國內外影像藝術攝影師集聚一堂!展期現場同期發表「2024吳東興攝影贊助計畫」、「2024 SKM PHOTO 國際攝影大賽」得獎作品,3/7-3/11展期現場每天舉辦多場次精彩攝影講座,憑展覽票根即可享臺虎精釀啤酒招待與SKM PHOTO週邊商品購物優惠!今年唯一一場,不容錯過的年度攝影盛會!
● 展覽介紹 Exhibition Statement:
「風景」常被視為是某一地理座標的位置或特定場域的指涉,是因為人們通常認為風景是客觀的存在,與特定的地理環境和場域有關。或者,常被歸類於地誌學的領域,表述特定的地貌、地理環境等地理特徵的研究範疇,成為指涉特定區域或場域的詞彙。
然而,每一處自然環境的場域,都是人與自然、人與環境、人與社會之間因果的相互關係的複合體。每一風景之所以特殊且不同,是因為該場域作為它靜默生存的能量,所形塑展現自身的面貌與差異性,彼此互為主體,構成自身的人文景觀。
對於「風景攝影」的觀點與認知,如何將「風景」視為客觀存在的條件,進而探索「風景」作為創作的主體性,藉由《被凝視的風景》的創作思路,透過超越感官的體驗、穿越時空的限制與交織,透過身體介入空間和自然環境。
“Landscapes” are often perceived as references to specific geographic coordinates or particular locations. This understanding stems from the common belief that landscapes are objective entities associated with distinct topographic environments and areas. Alternatively, landscapes are frequently categorized within the field of geography, expressing the study of specific landforms, geographical environments, and other geographic features, becoming terms referring to particular regions or areas.
However, every natural setting involves an intricate interplay of profound connections between humans, nature, the environment, and society. The distinctive qualities of each landscape emerge from the environment's latent energy coexisting in silence, molding its own features and distinctions. Within this dynamic interaction, landscapes and humans reciprocally shape each other, contributing to the creation of the cultural landscape.
Regarding the views and understanding of "landscape photography", how to regard "landscape" as an objective condition of existence. It examines “landscapes” as subjects for creative expression, utilizing the conceptual framework of “The Landscape Gazed-Upon.” By surpassing sensory experiences and navigating the constraints and interweaving of time and space, the article explores a discourse and interpretation of space and natural environments through physical engagement. Ultimately, it endeavors to scrutinize the conceptual dimensions and spirituality inherent in contemporary “landscape photography” within the realm of artistic creation.
「SKM PHOTO新光三越國際攝影大賽」是一個為專業「攝影人」所創立的攝影視覺藝術平台,讓您夢想成真的起點,活動藉由攝影者自訂主題,以五張系列作品創作,讓攝影者在創作時重新「解構」攝影視覺藝術的角度,思考作品的起承轉合,分解觀景窗中物件元素所構成的獨有視覺畫面,傳達具個人且完整的創作概念及視覺藝術風格,挑戰自我,讓參與者發揮所喜好攝影風格,開啟夢想成真的起點......
● 楊承運|曹城|黃沛森|鄭惟遠|李坤育|江佳賢|王婷惠|馬場沙織|葉俊佑|何心樂|曾國安|邱淑珠|陳柏翔|許尊凱|任汐|吳東霖|陳志強|吳慕恩|Tejas Ghate|Mouneb Taim|Mark Anthony Agtay|Pranab Basak
一個為專業「攝影人」所創立的攝影競賽活動
攝影可以是瞬間唯美的片刻、可以是時光寫實的紀錄、可以是內心情緒的傳達,更可以是藝術美感的表現,在拍攝器材唾手可得的時代,人人都會攝影,但是能清楚的傳達自我風格的攝影視覺藝術,方能稱為是「攝影人」。而「新光三越國際攝影大賽」正是一個為專業「攝影人」所創立的攝影視覺藝術平台,是個能讓您夢想成真的起點,活動藉由攝影者自訂主題,以五張系列作品創作,讓攝影者在創作時重新「解構」攝影視覺藝術的角度,思考作品的起承轉合,分解觀景窗中物件元素所構成的獨有視覺畫面,傳達具個人且完整的創作概念及視覺藝術風格,挑戰自我,讓參與者發揮所喜好攝影風格,開啟夢想成真的起點!
This is a photography competition established for professional photographers.
Photography can capture fleeting moments of pure beauty, accurately record the passage of time, express inner feelings, and represent aesthetics. In the era of readily accessible photography equipment, anyone can take photos. However, only those who express their personal styles clearly through the art of photography can be regarded as “photographers.” “SKM PHOTO Shin Kong Mitsukoshi International Photography Contest” is a platform for the art of photography established for professional photographers. It is the start of making dreams come true. The photographers select their own themes. The creation of a series of five photos enables them to “deconstruct” the angles of photography in creation and consider the transition of the works. By analyzing the unique images composed of objects and elements in the viewfinder, expressing their individualized and complete creative concepts and photographic styles, and challenging themselves, all participants will showcase their beloved photographic styles and embark on fulfilling their dreams!
It is a platform for the art of photography established for professional photographers. The photographers select their own themes. The creation of a series of five photos enables them to “deconstruct” the angles of photography in creation and consider the transition of the works. By analyzing the unique images composed of objects and elements in the viewfinder, expressing their individualized and complete creative concepts and photographic styles, and challenging themselves, all participants will showcase their beloved photographic styles…
當我為朋友拍攝肖像照時,其實也是在拍攝自己的自畫像。透過為朋友們拍照,我向世界展示了真實的自己。透過這些個人肖像,我想與他人分享每個人與生俱來的「東西」。攝影師喬.斯彭斯認為,個人事物具有社會意義,因此,當我與他人分享我和朋友們的這些個人瞬間時,它們可能在我們的社會中具有特殊的意義。
When I capture portrait shots of my friends, I'm actually capturing my own self-portrait. By photographing my friends, I'm revealing the true essence of myself to the world. Through these individual portraits, I aim to share something inherent in each person. The renowned photographer Jo Spence believed that personal things hold social significance. Therefore, when I share these personal moments of myself and my friends with others, they might hold special meaning within our society.
南應大美術系馬場沙織老師 於2024 SKM PHOTO新光三越國際攝影大賽 榮獲 優選獎 Outstanding Work Award
南應大美術系馬場沙織老師 於2024 SKM PHOTO新光三越國際攝影大賽 榮獲 優選獎 Outstanding Work Award
南應大美術系馬場沙織老師 於2024 SKM PHOTO新光三越國際攝影大賽 榮獲 優選獎 Outstanding Work Award
南應大美術系馬場沙織老師 於2024 SKM PHOTO新光三越國際攝影大賽 榮獲 優選獎 Outstanding Work Award
南應大美術系馬場沙織老師 於2024 SKM PHOTO新光三越國際攝影大賽 榮獲 優選獎 Outstanding Work Award
■ 拍攝年份 Year:2021-2023
■ 拍攝地點 Location:(1)-(4)日本福岡 Fukuoka, Japan (5)台灣 台南 Tainan, Taiwan