✨台南應用科技大學美術系師生參與臺韓版畫交流展2025.3.7(五)－3.18(二)於高雄文化中心<黃郁生、黃文力、林信源、林冠斌、林宜炫、許宸正>

✨《倒映的國度－臺韓版畫交流展》

策展人｜
林信源 <台南應用科技大學美術系講師>
張瀞予
展　期｜
2025.3.7(五)－3.18(二)
開　幕｜
2025.3.8 2:00 pm
地　點｜
高雄文化中心至真一、二館

"Reflections Across Borders" Taiwan-Korea Printmaking Exchange Exhibition
Curator | Chang Ching-Yu
Date | 2025.3.7 - 3.18
Opening | 2025.3.8  2:00 pm
Venue | Kaohsiung Cultural Center, Zhi-Zhen Hall 1, 2

✨參展藝術家 Artists
▎臺灣 Taiwan
黃郁生 Hwang Yue-Sheng <台南應用科技大學美術系教授>
林宜炫 Lin Yi-Hsuan <台南應用科技大學美術系助理教授>
林信源 Lin Hsin-Yuan <台南應用科技大學美術系講師>
黃文力 Huang Wen-Li <台南應用科技大學美術系講師>
林冠斌 Lin Kuan-Pin <台南應用科技大學美術系講師>
許宸正 Xu Chen-Zheng <台南應用科技大學美術系研究生>
張瀞予 Chang Ching-Yu
張婷雅 Chang Ting-Ya 
陳昱儒 Chen Yu-Ju 
高嘉宏 Kao Chia-Hung 
金炫辰 Kim Hyun-Jin 
賴振輝 Lai Cheng-Hui 
李佩璋 Lee D. Peachian 
李偉誠 Li Wei-Cheng 
廖孟鈴 Liao Meng-Ling 
沈金源 Shen Chin-Yuan Rock 
董純妤 Tung Chuen-Yu 
楊明迭 Yang Ming-Dye

▎韓國 Korea
張樣熙 Chang Yang-Hee
趙祥恩 Cho Sang-Eun
崔成旭 Choi Sung-Wook 
鄭熙暻 Chung Hee Kyung 
洪承希 Hong Seung-Hee 
洪允 Hong Yoon
鄭憲祚 Jeong Heon-jo 
金東岐 Kim Dong-Gi 
金孝 Kim Hyo 
金慜號 Kim Min-Ho 
權五信 Kwon Oh-Shin 
李恩熙 Lee Eun-Hee 
李知映 Lee Ji-Young
李周殷 Lee Ju-Eun 
李尙恩 Lee Sang-Eun 
李昇鍾 Lee Seung-Jong 
吳受珍 Oh Soo-Jin 
朴永根 Park Young-Geun 
申秀珍 Shin Su-Jin 
徐嬉先 Suh Hee-Sun

✨《倒映的國度》
策展人｜張瀞予／國立嘉義大學視覺藝術學系 助理教授
"The truth is that we change without ceasing, and that the state itself is nothing but change."
—— Henri Bergson
歷史，如版畫的肌理，層層疊加，壓印著時間的流動，也映照著文化的軌跡。台灣與韓國，處於東亞歷史的交界點，承襲著古老的印刷技術，卻在現代化的進程裡發展出各自獨特的視覺語彙。
《倒映的國度》 以「倒映、凝視、共振」三個展區為軸線，探尋版畫如何成為時間的容器，承載個體與文化的記憶，也如何透過觀看與對話，在兩地藝術家的創作中交織回聲。

1. 倒映
歷史的壓痕，如版畫的印記，層層刻印於紙張，也深植於文化之中。台灣與韓國的版畫在時代更迭中，交織技術的流轉與身份的追尋。
我們如何觀看過去？我們如何定義自身？
2. 凝視
「凝視」是一種觀看他者的視角，也是一種觀看的權力。韓國版畫承載民族敘事與社會關懷，台灣版畫則游移於多元文化與個人經驗之間。
誰是凝視的主體？誰被觀看？版畫，是否成為另一種觀看的權力？
3. 共振
藝術超越語言，版畫在單色與複合技法間展開對話。韓國藝術家探索極簡與抽象，台灣藝術家則拓展新媒材的可能性。
在紙張的紋理與刻痕中，我們是否能聽見彼此的聲音？

 Reflections Across Borders
Curator | Chang Ching-Yu/ Assistant professor, Department of Visual Arts, National Chiayi University

"The truth is that we change without ceasing, and that the state itself is nothing but change."
— Henri Bergson
History, like the texture of a print, builds itself layer by layer—pressed into paper, etched into time, tracing the shifting paths of culture. Taiwan and Korea, standing at the crossroads of East Asian history, inherit the ancient craft of printmaking. Yet, in the march toward modernity, each has forged a distinct visual language, a narrative uniquely their own.
Reflections Across Borders unfolds through three thematic spaces—"Reflection," "Gaze," and "Resonance"—to explore how printmaking serves as a vessel of time, carrying both personal and cultural memory. It asks how, through the acts of seeing and conversing, echoes of history intertwine within the works of artists from both lands.

Exhibition Themes
1.Reflection
To reflect is to look back, to rewrite history in layers of ink and impression.
Printmaking in Taiwan and Korea has traced the shifting tides of time, woven from the evolution of techniques and the search for identity.
How do we look at the past?
How do we define ourselves within it?

2.Gaze
The Power to See, the Power to Be Seen.
Korean printmaking bears the weight of national narratives and social struggles. Taiwanese printmaking moves fluidly between cultural multiplicity and personal experience.
Who holds the gaze?
Who is being seen?
And in the language of prints, does the act of seeing become its own form of power?

3.Resonance
The Echo That Bridges Worlds.
Korean artists push the limits of minimalism and abstraction. Taiwanese artists expand the possibilities of materiality, exploring new forms of expression.
Within the textures of ink and the grooves of the carved plate—
Can we hear each other’s voices?

特別感謝｜木易潔專業除汙品牌、永良油墨，熱情贊助！

#2025打狗雙年印記 #倒映的國度 #臺韓版畫交流展 
#Reflections_Across_Borders
#Taiwan_Korea_Printmaking_Exchange_Exhibition
#2025Kaohsiung_International_Printmaking_Biennale
#臺灣國際版畫交流協會
#Taiwan_International_Printmaking_Exchange_Association